‘Cultivating Windows' (2012) required a level of skill that I was not, at the time, quite comfortable with.  I formulated a flat design in order to create a series of small cardboard  coffins using only scissors and glue. Each coffin had the silhouette of an  animal cut into the place where a human's face might otherwise lie. Inside the  coffins I installed small flickering LED tea light candles and the coffins were  individually attached to a white brick wall in a dark room. The coffins were  just visible in the dark room and the image of the animals was illuminated by  inconsistently flickering shades of light. The aesthetic outcome of this work  was very effective, and at the time the choice of animals was apt as they were  silhouettes of commonly eaten animals.
        I have since recreated this work with silhouettes  of the Western Black Rhinoceros, the Thylacine (Tasmanian Tiger), the Javan  Tiger, the Pinta Island Tortoise, the Golden Toad, the Great Auk, the Pyrenean  Ibex, the Steller’s Sea Cow and the Quagga. These animals have all become  extinct due to human intervention, and strengthen the work because their  absence is complete and therefore felt more strongly.